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By the 1950s, even English clothing guides such as Clothes and the Man by Sydney D

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In essence, Victoria uses her stage presence Victor to obtain a sense of patriarchal privilege she was denied access to as a white woman by masking herself as a minority in the music industrya woman pretending to be a man pretending to be a woman[40]a rare commodity in the films setting.[41] Throughout the narrative, Chicago gangster King Marchand becomes enamored with Victor at one of his performances and is so distressed by the initial pseudo-reveal, Marchand commits a federal crime by breaking into Victors hotel bathroom to discover that he is actually a woman.[42] This unnerving twist to the infiltration motif popularized by Psycho has been twisted and subverted into a more ludicrous, ironic perspective, but is still the device, nonetheless